Guys, I was gifted a ticket to the raffle, and as the person who bought the ticket refuses to take a stand, I’m asking you: would you go for the house or the cash?
On place: the naming of John Fante Square
I’m reminded of what might have been had I stayed: more space to write about, to shoot, to draw, to drive. It’s that last one gets me every time. Back when the Dart was an extension of me, when I didn’t over-think the commute and got up early enough to make a stop (a Cuban coffee in my neighborhood or La Brea Bakery closer to work), life was fine as the smog and weather and traffic allowed.
But I didn’t, because I couldn’t, so I moved north with the intention of changing everything I couldn’t trust about fickle Los Angeles. Intention being what it is, it took far longer to change things than I could ever imagine. But once the wet air of the Bay gets into your bones, it’s harder to shake than anything (if you’re me).
In the meantime, my Los Angeles died. When I left Echo Park somewhere in the late 20th Century, much near downtown was still affordably tatty and unfashionably comfortable. My last walk around proved that there’s more live music (good) and beer is nearly as expensive as in NYC (bad). My operatives tell me that Hollywood still seems to manage that impossible dichotomy of trashy but expensive, which is what I’d expect—this much is true, and gives the place its bad reputation for surface. However, Boardner’s is unrecognizable. If something remains long enough, it apparently gets turned into a museum.
Knowing full well that there’s a “Hey you kids get offa my lawn” quality to my voice at times like this, it pains me that I care about the potential loss of history as much as I do. But for Los Angeles, the sentiment’s not misplaced: so many of its inhabitants are intent on creating their own histories. Forgetting is easy, it begins with not looking back.
At risk of constantly tripping over my own feet, I like a place that reminds me of its history daily. Los Angeles, you were a lovely bit of work.
Learning to enjoy the moment. And then, devolution.
Great unrealized art project #498: for the anniversary of the 1906 earthquake, populate Union Square with mattresses equipped with Magic Fingers© units. At the precise moment that the earthquake began, everyone sitting on beds places a quarter into the Magic Fingers© unit. When shaking ceases, light mattresses on fire. Retreat to areas west of Van Ness.
I thought for sure that I’d run into you in Berlin, but it’s just as well that it didn’t happen, because you blow my mind from this far away as it is.
One should never live in a house that cannot be licked. This is why I live in a temperate climate, so that my chocolate home will never melt!
Louis’ is where I’d head when I needed simple pancakes and an unobstructed view of the Pacific shelf. When the Musee Mechanique was still housed in the rotting old Cliff House, the overall experienced comprised a very nice afternoon (if you could manage to hit the place between tour buses).
I appreciate what the GGNRA has done in spite of California’s economic conditions, but messing with anything “ye olde” and diner-ish is asking for it.
Despite being inclined toward vegetarianism, I don’t want the place to turn into something like the Warming Hut—as much as I love organics, I believe there’s room enough in this town for white flour and corn syrup: I’d reckon that the tourists do, too.
Admittedly, you’ll overpay for the omelette-accented view at Louis’, and as I rarely get into the Cliff House for a drink—weak diner coffee does me just fine.
Incidentally, I think if San Francisco had more simple diners, I wouldn’t want to fight so hard for every single one. I’ll be headed out there to sign the petition tomorrow.
Prithee, in what style?
Next you’ll tell me that there’s a 2-year program for drawing comics
1) A PORTFOLIO CONSISTING OF:
* A minimum two-page comic story starring yourself, a snowman, a robot, the ocean, and a piece of fruit. You may combine characters! Format may be a zine, mini-comic, or plain black and white copies (must provide a printed version). Crisp legible reproduction is a must. Non-returnable.
* Eight samples of your work in any media that represents your abilities. CCS will look at comics, computer art, video, paintings, and drawings. Send slides, photocopies, tear sheets, mini-comics, zines, CDs, or web addresses. Slides and CDs will be returned if a self-addressed stamped envelope is included. Under no circumstances should you send original art. It will not be returned.
Sci-fi fans + Motörhead
time to start seeding new books with old letters.
Trying to figure out how I can manage a trip to Chicago, Portland, and now NYC—all before the end of the fiscal year, which, because we’re a city institution, is fast approaching. Kuniyoshi at Japan Society? That’s practically a work trip, right?
Zombie Lenin doesn’t care about winning hearts so much as miiiiiinnnnnnds!
Mao has taken Australia, Castro has taken South America, and Zombie Lenin sits astride a throne in Buckingham Palace made from the skulls of small businessmen.
I’m going with this photo because I consider it about as relevant as the argument that Tea Party members put forth.
I was promised teabaggers
and when I was out to lunch in Civic Center I saw none. Where will I get my fix of Libertarians?