All the better to kill you with, my typographer dears.
Untitled (Wet Paint/Many a career in handwriting analysis has begun in so humble a setting), 2012
Sharpie & Legal Pad
On permanent loan from the Tenderloin Gallery of Signage
12.29.8/1830
What do San Francisco’s political machines have to fear from the serif?
All those typefaces in bed together.
You’re no El Lissitzky, pal.
